Ghost Pains
With her novel The Visitors, Jessi Jezewska Stevens has proven herself as our preeminent purveyor of comical, techno-millenarian unease. Now, with this first collection of her acclaimed short fiction – originally appearing in such venues as The Paris Review and Harper’s – some of her very best work is at last readily available to readers.
Stevens’s women throw disastrous parties in the post-party era, flirt through landscapes of terror and war, and find themselves unrecognisable after waking up with old flames in new cities. They navigate the labyrinths of history, love, and ethics in a fractured American present, seeing first-hand how history influences the ways in which we care for – or neglect – one another.
With each story exemplifying Stevens’s ability to examine the big questions through the microscope of a shambolic human perspective, Ghost Pains is a triumphant statement of purpose from one of our greatest young writer-thinkers.
With her novel The Visitors, Jessi Jezewska Stevens has proven herself as our preeminent purveyor of comical, techno-millenarian unease. Now, with this first collection of her acclaimed short fiction – originally appearing in such venues as The Paris Review and Harper’s – some of her very best work is at last readily available to readers.
Stevens’s women throw disastrous parties in the post-party era, flirt through landscapes of terror and war, and find themselves unrecognisable after waking up with old flames in new cities. They navigate the labyrinths of history, love, and ethics in a fractured American present, seeing first-hand how history influences the ways in which we care for – or neglect – one another.
With each story exemplifying Stevens’s ability to examine the big questions through the microscope of a shambolic human perspective, Ghost Pains is a triumphant statement of purpose from one of our greatest young writer-thinkers.
With her novel The Visitors, Jessi Jezewska Stevens has proven herself as our preeminent purveyor of comical, techno-millenarian unease. Now, with this first collection of her acclaimed short fiction – originally appearing in such venues as The Paris Review and Harper’s – some of her very best work is at last readily available to readers.
Stevens’s women throw disastrous parties in the post-party era, flirt through landscapes of terror and war, and find themselves unrecognisable after waking up with old flames in new cities. They navigate the labyrinths of history, love, and ethics in a fractured American present, seeing first-hand how history influences the ways in which we care for – or neglect – one another.
With each story exemplifying Stevens’s ability to examine the big questions through the microscope of a shambolic human perspective, Ghost Pains is a triumphant statement of purpose from one of our greatest young writer-thinkers.
